I just finished a big fat biography on J.S. Bach. I like his music, but one of my primary reasons for reading it was to gain an understanding of why he’s so sanctified as far as how he’s perceived and recalled in the cultural consciousness. He earned his money primarily from composing music for Christian religious services, so there’s that, resulting in a good chunk of his compositional cache sounding liturgical.
Still, as I made my way through the 600 pages, I had hoped to come across some mention of incidents depicting him as fallible or human rather than untarnished/invincible deity. He did land himself in jail once for insubordination against his employer, but it was a minor incident blown way out of proportion by his superiors. Anyway, it’s interesting how his pristine public persona runs parallel with the saintliness valued in Christianity, especially back in Bach’s day. Continue reading “Bach’s spotless image”
For those who enjoy a good dose of baroque music, I’d like to recommend Gabrielli & Scarlatti: Complete Cello Works, by Guadalupe López-Íñiguez. It is quite exquisite…
A cow’s moo and the muffled grunt of Frankenstein’s monster (Karloff). Compare & contrast.
Slip silently, by yourself, away... 